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Camille Pissarro Art Prints

Camille Pissarro was born in the Dutch West Indies to a Jewish father and a Creole mother. Despite the insistence of his father, Pissarro refused to make his career in commerce and left for Paris in 1855 where he entered the Academy Suisse. Initially, he was trained in a conservative style, but by the early 1870s, rejected this training and joined the Impressionist painters. Of all the Impressionists, Pissarro was unique in his avoidance of river and seascapes, choosing instead to re-create the beauty of the land and cityscape, both structure and activity. He had the ability, like Monet, to capture a specific scene at a particular moment. In 1885, Pissarro joined the Divisionists, adopting a loosely pointillistic technique. He soon abandoned this technique, however, and returned to Impressionistic ideas.
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Chestnut Trees at Louveciennes, c.1871-2
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24" x 18"
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Louveciennes
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24" x 15"
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A Rest in the Meadow, 1878
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18" x 24"
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Boulevard Montmartre, Spring, 1897
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24" x 18"
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Avenue de L'Opera, Paris, 1898
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24" x 18"
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Morning Sun, Autumn, Eragny, 1897
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24" x 18"
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The Little Bridge, Pontoise, 1875
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24" x 18"
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Woman Hanging up the Washing, 1887
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18" x 24"
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The Vegetable Garden with Trees in Blossom, Spring, Pontoise, 1877
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24" x 18"
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The Church and Farm of Eragny, 1895
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24" x 18"
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The Avenue de L'Opera, Paris, Sunlight, Winter Morning, c.1880
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24" x 18"
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The Banks of the Oise, near Pontoise, Cloudy Weather, 1878
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24" x 18"
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Hillside of Vesinet, Yvelines, 1871
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24" x 18"
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The Woman with the Geese, 1895
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18" x 24"
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Self Portrait, 1873
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18" x 24"
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Place du Theatre Francais, 1898
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24" x 18"
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The Wheelbarrow, Orchard, c.1881
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24" x 18"
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Autumn morning at Eragny, 1897
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24" x 18"
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House in the Hermitage, Pontoise, 1873
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24" x 18"
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The Louvre, 1902
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24" x 18"
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The Cottage
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24" x 18"
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The Red Roofs, or Corner of a Village, Winter, 1877
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24" x 18"
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Vegetable Garden at the Hermitage, Pontoise, 1879
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24" x 18"
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Entrance to the Village of Voisins, Yvelines, 1872
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